ID de tableau:: 404
The Last Judgment Le Dernier Jugement 1452
Gemaldegalerie, Berlin 1452 Gemaldegalerie, Berlin Flemish
1415-1473
Petrus Christus Locations
ID de tableau:: 63858
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The detail shows a group of the damned. In Van der Weyden's time it was believed that lunatics were possessed by demons. Here, the figures of the damned are tortured and deformed by hatred and their faces distorted by madness. Gripped by a collective hysteria, they are unable to weep, but instead scream and fight, as their folly draws them on towards eternal punishment.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63888
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune At the far left-hand side of the polyptych, paradise is represented as a gothic porch ablaze with light, the door that leads to the divine dwelling place. On the other side, hell is strangely lacking in devils. Instead, it is merely represented by a pile of dark rocks spewing flames and volcanic vapours.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63889
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune Above is a cloud of gold, on which are seated the apostles, judges in the celestial tribunal, as well as a pope, a bishop, a king, a monk and three women. Below them is the earth, from which the resurrected souls emerge, to go either to damnation or to eternal bliss.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63890
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The central panel is dominated by the son of God, seated on a semi-circular rainbow, with the Virgin Mary at one end of the arc and St John the Baptist at the other.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63891
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The detail shows the head of Mary.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63892
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The detail represents the elect.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63893
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The picture shows the upper panel to the left.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63894
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The central panel is dominated by the son of God, seated on a semi-circular rainbow, with the Virgin Mary at one end of the arc and St John the Baptist at the other. Christ's feet rest on a sphere, symbol of the universe. With his right hand, he blesses those who are saved and with his left curses those who are damned. These two gestures are emphasized by appropriate emblems, respectively, a lily and a blazing sword. Beneath Christ stands St Michael, prince of the heavenly hosts. He is pictured as young, because he is immortal and as handsome, because he is the embodiment of divine justice. He holds in his hands a scale in which he weighs souls. The souls are represented by two little naked figures, whose names are "Virtutes" and "Peccata". The former kneels, overcome with delight, while the latter seems horrified and screams with terror.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63895
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The central panel is dominated by the son of God, seated on a semi-circular rainbow.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63896
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune St Michael holds in his hands a scale in which he weighs souls. The souls are represented by two little naked figures, whose names are "Virtutes" (this picture) and "Peccata". The former kneels, overcome with delight, while the latter seems horrified and screams with terror.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63897
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The picture shows a detail of the central panel. Four angels sound trumpets at the feet of Christ; they announce the Last Judgment and waken the dead. They surround the Archangel Michael, who, resplendent in his white robe scarlet cloak, impassively weighs the resurrected. The scale on his left sinks under the weight of the sins of one of the damned screaming in terror while in the other, one of the chosen seems to be expressing his thanks to the Archangel. One cannot fail to admire the delicate brushwork and colouring of the brooch holding the Archangel's cloak.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63898
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The picture shows the upper panel to the right.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63899
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The central panel is dominated by the son of God, seated on a semi-circular rainbow, with the Virgin Mary at one end of the arc and St John the Baptist at the other.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63900
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The picture shows a detail of the third panel from the right: group of the damned.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63901
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune Above is a cloud of gold, on which are seated the apostles, judges in the celestial tribunal, as well as a pope, a bishop, a king, a monk and three women. Below them is the earth, from which the resurrected souls emerge, to go either to damnation or to eternal bliss. In line with traditional thinking, the dead have all risen at the age of 33, Christ's age when he died. The damned souls among them, crying out in despair, move of their own accord toward the fiery mouth of Hell. The limbs of the angular nude figures, still very Gothic in concept, create a complex interlocking pattern.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63902
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The detail shows a group of the damned. In Van der Weyden's time it was believed that lunatics were possessed by demons. Here, the figures of the damned are tortured and deformed by hatred and their faces distorted by madness. Gripped by a collective hysteria, they are unable to weep, but instead scream and fight, as their folly draws them on towards eternal punishment.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 63903
The Last Judgment 1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune At the far left-hand side of the polyptych, paradise is represented as a gothic porch ablaze with light, the door that leads to the divine dwelling place. On the other side, hell is strangely lacking in devils. Instead, it is merely represented by a pile of dark rocks spewing flames and volcanic vapours.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious Netherlandish Northern Renaissance Painter, ca.1400-1464
ID de tableau:: 64218
The Last Judgment 248 x 218 cm (centre), 248 x 94 cm (side panels) Koninklijk Museum voor Schone Kunsten, Antwerp The majestic arched composition, borrowed from Raphael, the scientific representation of the numerous, animated nude figures, and the dull, brownish but smooth colouring already point to the strongly Italianate tendency in the painting of Van Orley. The subject of the side panels is the Seven Acts of Mercy. , Artist: ORLEY, Bernaert van , The Last Judgment , 1501-1550 , Flemish , painting , religious
(1534?C1592) was a Dutch Renaissance painter from Amsterdam who traveled to Italy in his youth to learn from the Italian masters, most notably Titian.
ID de tableau:: 66085
The Last Judgment Oil on plaster
1561 (1534?C1592) was a Dutch Renaissance painter from Amsterdam who traveled to Italy in his youth to learn from the Italian masters, most notably Titian.
ID de tableau:: 82457
The Last Judgment Date ca. 1588(1588)
Medium Oil on panel
Dimensions 298 x 363 cm (117.3 x 142.9 in)
painted The Last Judgment in 1588
Anton von Maron (January 8, 1733 - March 3, 1808) was an Austrian painter, active in Rome.
Von Maron was born in Vienna, but moved at a young age to Rome. There, he studied under Anton Raphael Mengs, and became an accomplished portrait painter. He married a sister of Mengs, Therese Maron, who was a painter in her own right. He lived the rest of his life in Rome, and died there in 1808.
ID de tableau:: 82467
The Last Judgment 1500-1510
Medium Oil on panel
Dimensions 84.4 x 95.2 cm (33.2 x 37.5 in)
cyf Anton von Maron (January 8, 1733 - March 3, 1808) was an Austrian painter, active in Rome.
Von Maron was born in Vienna, but moved at a young age to Rome. There, he studied under Anton Raphael Mengs, and became an accomplished portrait painter. He married a sister of Mengs, Therese Maron, who was a painter in her own right. He lived the rest of his life in Rome, and died there in 1808.
ID de tableau:: 85931
The Last Judgment 1588(1588)
Medium Oil on panel
Dimensions 298 x 363 cm (117.3 x 142.9 in)
cyf painted The Last Judgment in 1588
Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
ID de tableau:: 86495
The Last Judgment Date between 1446(1446) and 1452(1452)
Medium Oil on wood
cjr Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
ID de tableau:: 86498
The Last Judgment Date between 1446(1446) and 1452(1452)
Medium Oil on wood
cjr Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
ID de tableau:: 86500
The Last Judgment Date between 1446(1446) and 1452(1452)
Medium Oil on wood
cjr Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
ID de tableau:: 86502
The Last Judgment Date between 1446(1446) and 1452(1452)
Medium Oil on wood
cjr Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
painted The Last Judgment in between 1605(1605) and 1610(1610)
ID de tableau:: 86614
The Last Judgment Date between 1605(1605) and 1610(1610)
Medium Oil on oak
Dimensions Height: 47 cm (18.5 in). Width: 32 cm (12.6 in).
cjr painted The Last Judgment in between 1605(1605) and 1610(1610)
ID de tableau:: 86891
The Last Judgment Date between 1467(1467) and 1471(1471)
Medium Oil on wood
Dimensions Height: 223 cm (87.8 in). Width: 72 cm (28.3 in).
cjr Netherlandish Northern Renaissance Painter, ca.1435-1494
ID de tableau:: 88192
The Last Judgment between 1420(1420) and 1425(1425)
Medium Oil on wood transferred to canvas
Dimensions Height: 56.5 cm (22.2 in). Width: 19.5 cm (7.7 in).
cjr 1395-1441
Flemish
Jan Van Eyck Locations
painted The Last Judgment in between 1605(1605) and 1610(1610)
ID de tableau:: 89367
The Last Judgment between 1605(1605) and 1610(1610)
Medium oil on oak
cyf painted The Last Judgment in between 1605(1605) and 1610(1610)
Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
ID de tableau:: 91523
The Last Judgment between 1446(1446) and 1452(1452)
Medium oil on panel
cyf Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
ID de tableau:: 92767
The Last Judgment second half of 15th century
Medium oil on panel
Dimensions Height: 99.5 cm (39.2 in). Width: 60.3 cm (23.7 in). (central panel)
cjr Netherlandish Northern Renaissance Painter, ca.1450-1516
(c. 1555 - c. 1585) was a Flemish Mannerist painter and draughtsman active in Antwerp between about 1571 and 1585.
According to the RKD he was born in Antwerp in c.1540/45 and died there c.1591-1600.De Backer was abandoned by his father as a young boy. Carel van Mander reports that the artist studied with Antonio van Palermo and Hendrik van Steenwijk I, but that Palermo worked him so hard that the young de Backer died in the arms of his master's daughter at the age of thirty.
Although the artist painted in the high mannerist style of Giorgio Vasari, he never appeared to travel to Italy. A series of the "Seven Deadly Sins", however, was bought in Antwerp by Alessandro Farnese's secretary Cosimo Masi in 1594 and taken to Italy.These paintings are now in the Museo di Capodimonte in Naples. Other attributable works include a Last Judgment triptych by him or his studio for Christophe Plantin's tomb in the Antwerp Cathedral (c. 1589; illustrated right), and an Allegory of the Three Ages of Man in the Hermitage Museum, St. Petersburg.
He is not to be confused with the Dutch Golden Age painter Jacob Adriaensz Backer from
ID de tableau:: 97325
The Last Judgment 1580s
Medium oil on canvas
Dimensions 152.5 X 242 cm
cyf (c. 1555 - c. 1585) was a Flemish Mannerist painter and draughtsman active in Antwerp between about 1571 and 1585.
According to the RKD he was born in Antwerp in c.1540/45 and died there c.1591-1600.De Backer was abandoned by his father as a young boy. Carel van Mander reports that the artist studied with Antonio van Palermo and Hendrik van Steenwijk I, but that Palermo worked him so hard that the young de Backer died in the arms of his master's daughter at the age of thirty.
Although the artist painted in the high mannerist style of Giorgio Vasari, he never appeared to travel to Italy. A series of the "Seven Deadly Sins", however, was bought in Antwerp by Alessandro Farnese's secretary Cosimo Masi in 1594 and taken to Italy.These paintings are now in the Museo di Capodimonte in Naples. Other attributable works include a Last Judgment triptych by him or his studio for Christophe Plantin's tomb in the Antwerp Cathedral (c. 1589; illustrated right), and an Allegory of the Three Ages of Man in the Hermitage Museum, St. Petersburg.
He is not to be confused with the Dutch Golden Age painter Jacob Adriaensz Backer from
Jacob de Backer (c. 1555 - c. 1585) was a Flemish Mannerist painter and draughtsman active in Antwerp between about 1571 and 1585.
According to the RKD he was born in Antwerp in c.1540/45 and died there c.1591-1600.De Backer was abandoned by his father as a young boy. Carel van Mander reports that the artist studied with Antonio van Palermo and Hendrik van Steenwijk I, but that Palermo worked him so hard that the young de Backer died in the arms of his master's daughter at the age of thirty.
Although the artist painted in the high mannerist style of Giorgio Vasari, he never appeared to travel to Italy. A series of the "Seven Deadly Sins", however, was bought in Antwerp by Alessandro Farnese's secretary Cosimo Masi in 1594 and taken to Italy.These paintings are now in the Museo di Capodimonte in Naples. Other attributable works include a Last Judgment triptych by him or his studio for Christophe Plantin's tomb in the Antwerp Cathedral (c. 1589; illustrated right), and an Allegory of the Three Ages of Man in the Hermitage Museum, St. Petersburg.
He is not to be confused with the Dutch Golden Age painter Jacob Adriaensz Backer from
The Last Judgment
